Cap'n Carrot

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I’ve been waiting all year for a front-runner, a film to set the standard to which every movie that follows will have to try to measure up. I don’t have to wait any longer. Writer/director Martin McDonagh takes us to a little-used patch of road in rural Missouri where the sudden use of three derelict billboards begin to raise the eyes of the local community.

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Coco

by Cap'n Carrot on November 22, 2017 · 0 comments

in Film

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Pixar’s nineteenth feature isn’t one of the studio’s best, but it does display plenty of heart. We open to extended narration setting up the life and family of young Miguel (Anthony Gonzalez) whose family’s hatred of music makes the first-half of the movie seem like Footloose with dead people. More than anything in the world Miguel wants to be a musician which, through a somewhat convoluted series of events, sends him into the netherworld on Día de Muertos when the spirits can leave the Land of the Dead and visit their living relatives (only if their families have remembered to place their picture in the family ofrenda, or altar).

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On television, stage, and in film there have been plenty of adaptations of Charles Dickens’ A Christmas Carol over the years (Mickey Mouse and Bill Murray have provided two of my favorites). The latest from director Bharat Nalluri and screenwriter Susan Coyne, based on Les Standiford‘s book, doesn’t add much new to the proceedings, but proves to be an enjoyable holiday romp focused on the turmoil in Dickens’ (Dan Stevens) life and the creation of one of his most famous works. The script follows a familiar path seen before with authors talking directly to their characters and stealing names and lines from real-life to work into their writing. The later reminded me of Shakespeare in Love, which had far more wit than we find here.

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the-killing-of-a-sacred-deer-posterWriter/director Yorgos Lanthimos (The Lobster) is known for unconventional storytelling, and his latest certainly fits that bill. Steven Murphy (Colin Farrell) is a respected surgeon with a wife (Nicole Kidman), two children (Raffey Cassidy and Sunny Suljic), and secretive relationship to the son (Barry Keoghan) of a former patient with an equally strange mother (Alicia Silverstone, in a surprisingly small role). When Steven’s son develops odd symptoms that can’t be explained, the doctor is confronted by Martin (Keoghan) who makes veiled threats while suggesting that he is somehow responsible.

The Killing of a Sacred Deer is a frustrating movie. The film is visually stunning with a haunting score, but every time an actor delivers a torturous line-reading (more appropriate to a group of lonely souls reading publicly from their Twilight fan fiction) the spell is broken. There’s a stiltedness to every performance, no character speaks naturally, and even their reactions, movements, and manners are so affected it will make you wonder if you missed the note explaining that everyone in the film is autistic.

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“Wake Up” marks the return of Mon-El (Chris Wood) to Earth when he’s found aboard the sunken alien spacecraft we’ve seen glimpses of this season. Initially overjoyed to have him back, Kara (Melissa Benoist) becomes concerned about his troubling behavior (which is never adequately explained), reluctance to talk about what has happened to him, or explain the spaceship or the its other slumbering passengers… including the woman who is later revealed to be his wife (Amy Jackson). The revelation of Mon-El’s time in the future and the introduction of Saturn Girl (Amy Jackson) marks the show’s first steps to introducing an important piece to Supergirl’s comic history as she meets her first member of the Legion of Super-Heroes. Could Supergirl be up for some time travel of her own?

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WONDER WOMAN REACTS TO JUSTICE LEAGUE! (Parody)

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Good Time

by Cap'n Carrot on November 21, 2017 · 0 comments

in Film

good-time-blu-rayRobert Pattinson stars as Connie, a criminal who uses everyone he comes into contact with including his mentally-handicapped brother Nick (Benny Safdie) who he ropes into helping him rob a bank. While the score goes off without any issues, the botched getaway leaves Nick in jail and Connie working every angle he can to free him including calling on an old girlfriend (Jennifer Jason Leigh), taking advantage of an impressionable 16 year-old (Taliah Webster), and planning a jail break after his brother is taken to a nearby hospital.

While respecting the tone and pace of of directors Benny Safdie and Josh Safdie‘s film, Connie’s selfishness eventually began to wear on me. There’s a method to Connie’s madness, although his actions rarely lead to the expected outcome. And he does have guilt over Nick being locked up in prison, although it’s hard not to look at these actions as predominantly selfish in keeping himself out of prison.

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Star Wars: The Saga So Far…

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Who is faster, Superman (Jason J. Lewis) or the Flash (Charlie Schlatter)? DC has milked this controversy for decades since the pair’s first race 60 years ago. We’ve seen races in multiple comics as well as on television in Superman: The Animated Series‘ “Speed Demons.” “Race Against Crime” follows the basic format of stories like this as the world gathers to watch the pair race only to see a super-villain interfere and stop from having a true winner ever declared. This time around that villain is Lex Luthor (James Woods) who takes advantage of the tracking technology to bleed speed from both racers and siphon it into his own armor allowing him control of both speed and time.

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The Best Movie Hell to End Up In – After Hours

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