The first-half of Atlantis‘ series finale offers fans the long-awaited wedding between Jason (Jack Donnelly) and Ariadne (Aiysha Hart) and forces Jason’s hand concerning the fate of his mother Pasiphae (Sarah Parish) and his acceptance of his destiny. Even with celebration of the woodland wedding, there’s a melancholy that surrounds part one of “The Queen Must Die” as the show sows the seeds of unhappiness between Ariadne and her love with the return of Medea (Amy Manson) as Ariadne realizes she lacks full control over her new husband’s heart.
“Turtles in Time” reimagines another familiar face for fans of previous Teenage Mutant Ninja Turtles incarnations on both television and in comics when Time Master Apprentice Renet (Ashley Johnson) arrives from the future to enlist the Turtles’ help in dealing with the evil Savanti Romero (Graham McTavish). As with previous version of the character, Renet is presented as an impulsive teenage fangirl of the Turtles whose help she will need to stop the rogue Time Master from rewriting time itself.
“Kiss Kiss, Bye Bye” marks a turning point in the show’s First Season, the true fallout of which may take several episodes to be resolved. Just as the search for Khlyen (Rob Stewart) hits a dead end, the search for D’Avin‘s (Luke Macfarlane) doctor picks up with the discovery of a mental patient suffering similar symptoms who was treated by Doctor Yeager’s (Amanda Tapping) former assistant (Sarain Boylan) who has turned the military programming into a lucrative cash source in the middle of the exclusive drug and sex market known as Utopia. And it’s on Utopia where D’Avin and Dutch (Hannah John-Kamen) give finally into their mutual attraction leaving John (Aaron Ashmore) in an uncomfortable position of third wheel.
Although it began a series of increasingly good summer blockbuster over the course of two decades, 1996′s relaunch of the television series of the same name as a theatrical film (which introduced the world to Tom Cruise‘s most successful ongoing character in IMF Agent Ethan Hunt) is problematic at best. Poorly plotted, including a huge fuck you to fans of the original series by turning the television show’s central hero (Peter Graves) into a greedy villain (Jon Voight) selling CIA secrets to the highest bidder, the film hasn’t aged well. Turning Jim Phelps into a villain would be like rebooting Superman into a coldblooded killer. What kind of an asshole would do that?
In an episode that ends the ongoing marriage proposal storyline and reveals Liam (Jack Turner) to viewers to have less-than-honest motivations concerning Kirsten (Emma Ishta), “Future Tense” also sets up next week’s summer finale as the Stitcher team investigate the murder of an online psychic and try to prevent a second murder the dead woman saw in a vision which only Kirsten believes will come to pass.
In an episode that introduces Dot-Marie Jones as Mo’s (Matt Cook) mother the barber struggles with the news that his parents are getting a divorce after 30 years of marriage. Although Mo can’t see a reason why the marriage is ending ,his co-workers strongly suspect it may having something to do with Mo’s mother being more attracted to the fairer sex. This, of course, leads to plenty of cheap lesbian jokes as the characters dance around the issue without sharing their suspicions with Mo for most of the episode.