Emma Roberts stars as Venus “Vee” Delmonico, an amalgamation of every secretly-cool high school nerd ever, whose introverted personality is tested when she chooses to sign-up for a super-secret (AKA everyone knows about it) online game of truth or dare known as NERVE.
The other storyline features Superman having more trouble with the super-villains of Gotham City than he expected. Tricked by the Joker (Jason Spisak), Superman accidentally causes a break-out at Arkham Asylum. Even calling on the help of Cyborg (Khary Payton) and Wonder Woman (Grey Griffin), the heroes struggle to stop the chaos eventually allowing Robin (Scott Menville) to show them what crime-fighting in Gotham is all about.
The third time’s the charm. After a lackluster first film and a clusterfuck of a sequel, the rebooted franchise finally gets it right with Star Trek Beyond. No longer awkwardly straddling the original and new continuities, the latest Star Trek film offers a wholly original story and the first really good movie in the Star Trek franchise in 20 years.
After learning their entire civilization is nothing more than a science experiment, first-half of the final book in the Divergent series follows Tris (Shailene Woodley), Four (Theo James), Christina (Zoë Kravitz), and Peter (Miles Teller) over the wall, through the desolate wasteland and into an advanced city run by the Bureau of Genetic Welfare (which, you guessed it, turns out to be as equally corrupt as the society they fashioned in an attempt undo centuries of genetic manipulation).
Allegiant follows the same predicable patterns of the first two films, including a major supporting character’s death early on, before uniting the faction-less Chicago (which has broken into mob rule since learning the truth about the outside world) under a common purpose for next year’s series finale. While finally offering a reason for the bizarre society of single-characteristic factions, Allegiant still doesn’t make the premise any easier to swallow. Jeff Daniels (who I’m assuming must have a daughter who likes these books) is slumming it here as the leader of the genetic zealots behind the curtain.
Writer/director Paul Feig‘s lazy adaptation of the much-beloved 1984 comedy Ghostbusters isn’t the complete trainwreck I half-expected. The movie does have its share of laughs, and the CGI ghosts (with a couple of notable exceptions) are impressive. It’s too bad the script is not. While the film offers glimmers of what could have been, we are instead left only with regrets about what is.
Despite being based on true events concerning the Coast Guard rescue of SS Pendleton, The Finest Hours feels every bit an exaggerated movie script. Over and over during the film, the small boat under the command of Bernie Webber (Chris Pine) completes such a litany of “impossible” tasks that their actions are actually undercut by the movie’s script. It also doesn’t help that every other person in the movie is a damn fool than other than Bernie or his fiance Meriam (Holliday Grainger) who at one point “teaches” a sailing community to leave their car lights on to help the sailors find the shore.
The script from screenwriters Scott Silver, Paul Tamasy, and Eric Johnson also struggles with scale. Until Bernie and his men find the Pendleton we have no comparison between the small rescue boat and the sinking tanker. Even spending much of the film with the crew of the lost ship, a questionable decision which splits the focus of the film, The Finest Hours struggles with even the most basic aspects of storytelling.
As spy stories often do, Our Kind of Traitor opens in Russia. However, for our protagonist things begin far away from Moscow. On vacation with his wife Gail (Naomie Harris), Perry (Ewan McGregor) has a chance encounter with a Russian gangster named Dima (Stellan Skarsgård). One wild night later, Perry is presented with an offer he can’t refuse.
Created by Edgar Rice Burroughs more than 100 years ago, Tarzan has been adapted countless times in film, radio, television, and print. The latest version of the jungle hero from director David Yates chooses to forgo an origin story (which is given to us in small flashbacks over the course of the movie) in favor of a more civilized Tarzan (Alexander Skarsgård) returning to Africa with his wife Jane (Margot Robbie) to investigate troubling news concerning the Congo, where he was raised and became a legend – and where an old enemy (Djimon Hounsou) is waiting.