movie reviews

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Picking up some time after the events of The Avengers, Captain America (Chris Evans) has grown more accustomed to the current world while going to work for S.H.I.E.L.D. Despite being well-suited for his new role, Steve Rogers has become increasingly uncomfortable with cleaning-up Nick Fury)’s (Samuel L. Jackson) messes including working alongside the Black Widow (Scarlett Johansson) in the film’s opening action sequence involving the hijacking of a S.H.I.E.L.D. vessel by Algerian pirates.

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Noah

by Cap'n Carrot on March 28, 2014 · 0 comments

in Film

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Obsessed with the story of Noah since he was 13 years-old, writer/director Darren Aronofsky finally sees his vision of a quasi-fantasy/religious take on the biblical tale of the Genesis flood crash into the big screen today like a tidal wave. Sadly, as the characters of Aronofsky’s films usually learn, obsession leads to trouble.

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Bad Words

by Cap'n Carrot on March 28, 2014 · 0 comments

in Film

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As with most of the Bad Santa imitators which have popped up in recent years Bad Words is, at best, a mixed bag. Far better than the unfortunate (and best forgotten) Bad Teacher, this film directed by and starring Jason Bateman about a middle-aged man-child entering a national 8th grade spelling competition to deal with his own personal issues certainly provides its share of laughs along the way.

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For his latest film writer/director Wes Anderson takes his trademark style to the fictional Republic of Zubrowka and a once-proud mountainside resort known as The Grand Budapest Hotel with a rich history to share. Relying heavily on narration, the film struggles a bit to get going by beginning in the present and slowly peeling back layers (each jumping 20 years or so into the past) until we finally arrive in the pre-World War II 1930s and the story of fastidious old-school concierge M. Gustave (Ralph Fiennes) and his the new lobby boy Zero (Tony Revolori).

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After the success of 2011′s big-screen relaunching of the Muppets franchise, director James Bobin and co-writer Nicholas Stoller return (along with Christophe Beck who once again writes the songs) for a mostly enjoyable sequel that sadly lacks the heart of the previous film.

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Seven years after going off the air creator Rob Thomas and the cast of Veronica Mars reunite (with the help of an insanely productive Kickstarter campaign) to bring Veronica (Kristen Bell) back to Neptune just in time for her 10 year high-school reunion. Oh, and to help an ex out of a pesky murder charge. It’s just like old times, in the best possible way.

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Need for Speed is no Cannonball Run II. You could even argue it’s no Speed Zone (which replaced Burt Reynolds and company with SCTV vets John Candy, Eugene Levy, and Joe Flaherty along with a host of lesser-known stars for a forgettable third Cannonball Run film). Loosely based on the popular video game franchise, Need for Speed stars Aaron Paul as kick-ass small-time racer and mechanic Tobey Marshall whose rivalry with his old girlfriend’s (Dakota Johnson) new boyfriend (Dominic Cooper) ends with him serving two years in prison for a crime he didn’t commit.

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I’m not a Zack Snyder fan. I hated what Snyder and screenwriter David S. Goyer did to Superman, was disappointed with his interpretation of Watchmen, and was disturbed by watching the man make his own wet dreams into a feature film. Of the Snyder films I’ve been forced to endure over the years 300 is the only one I remotely enjoyed.

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Based on the Mr. Peabody shorts from The Rocky and Bullwinkle Show the new full-length feature film from writer Craig Wright and director Rob Minkoff (The Lion King, The Forbidden Kingdom) may not as be as clever as the original, but it turns out to enjoyable and far more fun than I expected.

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The Wind Rises

by Cap'n Carrot on February 28, 2014 · 0 comments

in Film

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Over a lifetime in animation Japanese film director Hayao Miyazaki has made a name for himself as one of the premiere filmmakers of his generation. Although I haven’t always loved his films, I found Princess Mononoke too bizarre for my tastes and a bit unwieldy with its 133-minute running time, it’s impossible to come out of any Miyazaki film without a profound respect for the talented man who brought them to the screen.

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